How would it be to listen to dance through the radio? What can sonic choreography be? This choreographic research was set in motion by this questions and a whole series of thoughts arose from the apparent oxymoron in creating a dance not to be seen: what is choreography when it becomes something to listen to, what differentiates it from music, what would it look like, what does the audience “see” when they can only listen…

Together with those ideas I was inspired to learn and explore more about the characteristics and qualities of electromagnetic and sound waves, as well as to play with the visible/invisible and audible/inaudible in dance.